Indigenous Success Stories: Métis

May 13, 2023


First Nations

Meet Indigenous drag artists trying to ‘offer hope’ to LGBTQ and 2-spirit youth

Anti-drag sentiments aren’t stopping these artists from representing queer identities they never got to see

A tryptich of three Indigenous drag performers.
Chelazon Leroux, King Fisher and Anita LandBack. (Don Somers/CBC, Megan Gialloreto, Athanasius Sylliboy)
Unreserved: 54:00Celebrating Indigenous Drag Kings and Queens

Click on the following link to access the audio: https://www.cbc.ca/radio/unreserved/indigenous-drag-artists-1.6838636?cmp=newsletter

NationTalk: Strutting across a stage in size-12 stilettos might seem impossible for many. But for drag queens like Chelazon Leroux, it comes with the territory. And as an Indigenous drag queen, balancing on high heels isn’t the most difficult part of the job. “[During a Pride event] I did this performance called Fall in Line which was [a song by] Christina Aguilera and Demi Lovato. But it was in reference to MMIW,” Lerouz told Unreserved host Rosanna Deerchild. “People had no clue what it was. They’re like, ‘why is there a handprint over your face?'”

Indigenous drag performers like Leroux, who is Dene and two-spirit, have to navigate their identities in places where they’re not always accepted. And a rise in anti-LGBTQ and anti-drag sentiment has created an uneasy, and sometimes frightening, environment for drag performers.

In spite of these challenges, Indigenous drag artists are choosing to take up space and represent the queer Indigenous identities they never got to see when they were young.

The backlash 

Drag was put on the pop culture map after Ru Paul’s Drag Race launched in 2009. Today, audiences can attend performances ranging from raunchy late night shows to music-filled drag brunches to family-oriented drag storytime events at libraries and bookstores. But more recently they’ve been met by anti-drag and anti-trans protests from right-wing groups and, in the United States, Republican legislators.

In recent months, protestors have targeted drag storytime events for children across Canada. 

Chelazon Leroux has experienced this backlash first-hand.  “They protested that show that I was doing [in Cold Lake, Alta.] at city hall. It was the biggest city hall attendance in the history of Cold Lake because they wanted to protest my show. And the amount of people that were in support outnumbered those that were being critical and ignorant…. That room was packed.”

Local Dene performer will be the first queen from Saskatchewan to compete in Canada’s Drag Race
A performer and social media personality from Saskatoon will be the first queen from Saskatchewan to compete in Canada’s Drag Race, starting in mid-July. Dene and two-spirit, Chelazon Leroux is about to be the representation their younger self always wanted to see.

Click on the following link to access the audio: https://www.cbc.ca/radio/unreserved/indigenous-drag-artists-1.6838636?cmp=newsletter

Leroux said the protestors had made assumptions about who she was and her intentions. In reality, her conversation with the kids in the audience was professional, she said. It was about her lived experience, what it’s like being on stage and her favourite makeup brands. 

Anita LandBack is a two-spirit Mi’kmaw drag queen based in Halifax. LandBack said that queer Indigenous people need to be visible, not despite the threats or hate directed towards queer people, but because of them.   “With everything going on in the world against trans and non-binary people, right now we need to strengthen numbers the most,” they said. 

Learning to love themselves

When drag performer Tygr Willy was young, the closest example of someone who looked like them was Anishinaabe actor Adam Beach.  “But Adam Beach was rugged and he was in all these war films,” they said. “I never saw someone who was gentle or femme or someone who wasn’t traditionally masculine, [who] wasn’t rough around the edges.”

A non-binary person sits dramatically in a cloud of fog.
Toronto based drag performer Tygr Willy’s name is a play on the name Tiger Lily, the character from Peter Pan. “I just really loved how she just kind of like, did not deal with Peter Pan’s buffoonery,” they said. (Jahmal Nugent)

Willy was born in Winnipeg, grew up in central Alberta and now calls Toronto home. Of Chinese and Anishinaabe descent, Willy was raised by a Scottish-Canadian woman.  There wasn’t a lot of diversity where Willy grew up and they didn’t consider themselves conventionally attractive. So, said Willy, they turned to burlesque and drag as a way to learn to love themselves.

Willy has made it their mission to be the softer, gentler representation of identity they wish they’d seen as a kid.  “If someone who’s young, who’s experiencing gender, who’s experiencing sexuality, who is also curvy and soft and quiet, is looking towards media and they need someone, I would hope that maybe I could offer a bit of a reflection for them, or offer some kind of hope.”

Making room for kings

For King Fisher, the challenges have been similar — but also different. 

The Vancouver-based Ktunaxa drag king identified as a cis woman before they came out as trans. Watching Ru Paul’s Drag Race was an exciting introduction to drag, but left them feeling excluded, Fisher said.  “I recognized that a lot of them would use the word ‘fish’ as a way of being like, ‘Oh, I look very feminine. I look like a woman,'” they said. “It didn’t sit well with me. It felt very misogynistic in a lot of ways.”

After they started performing as King Fisher — which is a name that nods to the tiny, colourful bird — they felt some anti-drag-king attitudes in the Vancouver drag scene.

A drag king performs on stage in front of a screen of themselves.
King Fisher performs at the 2022 Untoxicated street festival in New Westminster, B.C. (Megan Gialloreto)

“I’ve had experiences with some drag queens, who are wearing those big silicone chest plates, that are looking down at me so much because I’m [assigned female at birth],” they said. “When they’re taking that body that I grew up in and making money off of it.… Like it’s almost like this costume.”

It took some time for things to change. In the last couple of years, the Vancouver community has seen more kings get bookings and make names for themselves, they said.  King Fisher has also learned a lot about drag in the process.  “Having been a part of the drag community, I understand that a lot of it is satire. Like they’re making fun of ideas of femininity in the same ways that I’m making fun of ideas of masculinity and really turning it on its head.”

Representation is ‘vital’

As a queer person, Chelazon Leroux felt like she didn’t fit in on her reservation or in small town Saskatchewan. She only saw negative depictions of Indigenous people in the media.

So Leroux moved to Edmonton at the age of 18. But even in a bigger city with a drag scene, she felt misunderstood.  “There [were] undertones of racism everywhere,” she continued. “And I wasn’t fully comfortable in my Indigeneity yet either.… I never fully accepted it or wore it proudly.”

Leroux said she later realized she has a responsibility as a two-spirit person to be a “bridge between two worlds.” She decided to incorporate Indigenous culture into her drag and educate others about Indigeneity — and to be someone that young, queer Indigenous people can look up to.  Today, she’s glad she has the opportunity to speak to kids.

“I remember the public speakers growing up that I had … I could relate to no one,” Leroux said. “I was that scared little kid growing up in northern Saskatchewan, not knowing where to turn,” she continued. “Representation is not only good to have, it’s vital in terms of mental health and being able to see yourself succeeding.”

ABOUT THE AUTHOR

Laura Beaulne-Stuebing

Producer, Laura Beaulne-Stuebing is a producer for CBC Radio’s Unreserved. She is based in Ottawa.

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NationTalk: On September 30, the National Day for Truth and Reconciliation honours those who survived Indian residential schools, their families and the children who never made it home.

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These youths are participating in the Voices of Youth Indigenous Leaders program, which spotlights young Indigenous peoples who are making a difference in their communities.

Read more about this year’s Voices of Youth Indigenous Leaders participants.

Meghan Beals (First Nations – Nova Scotia)

Dr. Meghan Beals is a Mi’kmaw from Glooscap First Nation in Nova Scotia who currently lives on Epekwitk (Prince Edward Island). She works as a family medicine resident in New Brunswick and P.E.I. As an Indigenous physician, she strives toward reconciling Western and Indigenous medicines. She is looking forward to continuing to share her journey to becoming a physician with Indigenous youth and hopefully become a role model.

Taylor Behn-Tsakoza (First Nations – British Columbia)

Taylor Behn-Tsakoza is a proud Dene woman from the Fort Nelson and Prophet River First Nations in British Columbia Treaty 8 territory. She holds a bachelor’s degree in health and physical education with a major in physical literacy and double minor in Indigenous studies and business. She is the community liaison for Tu Deh-Kah Geothermal and is serving as the female youth representative for the British Columbia Assembly of First Nations. She was co-chair of the Assembly of First Nations National Youth Council in 2021–22. As an intergenerational survivor and youth advocate, Taylor speaks on reconciliation across the country. She had the privilege to travel to the Vatican in March 2022 to speak with Pope Francis on the Catholic Church’s role in reconciliation. Taylor is thankful for the teachings and stories passed down to her by her grandparents, parents and survivors in her family and community. She is guided by their resilience and hope in the future generations.

Gabrielle Fayant (Métis – Alberta)

Gabrielle Fayant is an off-settlement Métis woman, whose family is from Fishing Lake Métis Settlement in Alberta, one of the eight land-based Métis settlements in Canada. Gabrielle has won awards for her work in community, youth empowerment, and Indigenous rights awareness. She has worked with several Indigenous and non-profit organizations and is currently a Helper and Co-Founder of Assembly of Seven Generations (A7G). A7G is an Indigenous owned and youth-led, non-profit organization focused on cultural support and empowerment programs and policies for Indigenous youth while being led by traditional knowledge and Elder guidance. Gabrielle is passionate about cultural resurgence and justice for all Indigenous peoples.

Jama Maxie (First Nations – Saskatchewan)

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Tyrone Sock (First Nations – New Brunswick)

Tyrone is the youth coordinator for Mawiw Council Inc, a non-profit organization that supports the development of the three largest First Nation communities in New Brunswick. His latest project is the development of a hockey camp for over 60 Indigenous youth aged six to 15. The purpose of the annual hockey camp is to honour the legacy of his late father/coach, Craig “Jumbo” Sock, but also to give back to the local communities and to teach the youth the benefits of hockey — including teamwork, leadership and healthy attributes such as physical, mental, emotional and spiritual wellbeing.


September 3, 2019


Indigenous Youth Pilot Project

Government announced an Indigenous Youth pilot project delivered by the Canadian Roots Exchange that incorporates some of the recommendations from the final report submitted to the government by the Indigenous Youth Council (youth advisors representing the voices of Inuit, Métis and First Nations youth with recommendations on how Indigenous youth want Call to Action # 66 implemented.

The Indigenous Youth Pilot program is “a distinctions-based national network of Indigenous youth to help inform government policy and programs and support community events”.


August 1, 2019


PM Youth Council first meeting in North

Youth Council members are meeting in Iqaluit, Nunavut, this week for the Council’s first-ever meeting in Canada’s North. During the three-day meeting, council members will take part in local activities, including a service activity, traditional ceremonies, and meet with local Elders and Indigenous youth.


June 10, 2019


Indigenous Economic Progress Report: Youth Recommendations

Released today by the National Indigenous Economic Development Board (NIEDB). The Indigenous Economic Progress Report presents a thorough, in-depth analysis of the economic realities of Indigenous peoples in Canada. Using 13 measures, it assesses three core indicators: employment, income and community well-being. Using 19 additional measures, it also examines five underlying indicators of economic success: education, entrepreneurship and business development, governance, lands and resources, and infrastructure. It also recommends the development of youth-focused educational supports to help Indigenous peoples finish high school and continue on to post-secondary education, as well as skills development programs to help Indigenous employees of high-wage industries increase their earning potential in higher-paying roles.

Youth specific recommendations from the report include:

  • Entrepreneurship should be promoted and supported as a valid career option for youth through the mentorship and showcasing of Indigenous business leaders and ventures.
  • Government-funded Indigenous youth entrepreneurship/start-up financing should also include essential business services training and coaching/mentorship services.
  • We specifically recommend that the Government create urban Indigenous healing and employment hubs;
  • invest in basic education infrastructure;
  • develop distance education training;
  • create an alumni fund to enable mentorship;
  • and invest in Indigenous scholarship funding to support post-secondary education.
  • Given this strong influence of parents and family on education outcomes – it is important to consider family and community when creating programs that promote education and employment skills for youth. Community inclusion in the development of programming will be essential.

June 1, 2018


Indigenous Youth Voices

“Indigenous Youth Voices, A Roadmap to the Truth and Reconciliation Commission Call to Action # 66” is released. The Report revolves around five main themes:

1. Acknowledging the past
2. Healing
3. Improving Relations
4. Treaty and Land Claims and
5. Equity

The report proposes the establishment of Indigenous Youth Voices as a permanent, arms-length, non-profit, national agency, with a mandate to inform, implement, and build on the TRC Call to Action #66.
The report also highlights immediate next steps for the government to fulfill the mandate of Call to Action # 66 including immediate and ongoing commitments as well recommended Program areas of focus:

  • Identity, Language and Culture
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October 18, 2016


We Matter

We Matter, launched on Oct. 18, 2016, is an Indigenous youth-led and nationally registered organization dedicated to Indigenous youth support, hope and life promotion. Our work started with the We Matter Campaign – a national multi-media campaign in which Indigenous role models, youth, and community members from across Canada submit short video, written and artistic messages sharing their own experiences of overcoming hardships, and communicating with Indigenous youth that no matter how hopeless life can feel, there is always a way forward.

Through our national projects and programs, We Matter

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  • Creates space and opportunity for Canadians to celebrate and honour the voices and experiences of Indigenous youth
  • Creates and distributes materials and resources designed to encourage and support Indigenous youth and those who work with Indigenous youth
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